(Fortunately, Breakfast at Tiffany's also broke the trend by giving her a suitor in the 33-year-old George Peppard.) At 37, she finally earned the unthinkable: a younger suitor, in the 34-year-old Peter O'Toole in How to Steal a Million. Hepburn was 24 opposite Gregory Peck's 37 in Roman Holiday 25 to William Holden's 36 and Humphrey Bogart's 55 in Sabrina 27 to Henry Fonda's 51 in War and Peace 28 to Fred Astaire's 58 in Funny Face 28 to Gary Cooper's 56 in Love in the Afternoon 32 to Buddy Ebsen's 53 in Breakfast at Tiffany's 34 to Cary Grant's 59 in Charade and 35 to Rex Harrison's 56 in My Fair Lady. (When Isaac Mizrahi re-created iconic images of Audrey for a commercial, he used a then-teenage Natalie Portman to portray her.) What most people didn't know is that Hepburn's wasn't the body of an " ordinary woman" it was the visual remnant of her starvation as a child in the Netherlands during World War II, which resulted in a slew of ailments that led to "a lifetime of quietly suffering frail health." Audrey was, in the words of theorist Roland Barthes, the "woman as child, woman as kitten," with a face that was "an Event." Her slight frame and softness made many see her as childlike. Audrey made pants a female fashion statement, and her love of flats gave women an out from towering stilettos.īut she was always at odds with her fame. She's the woman who brought Edith Head's fashions to life, and she was the muse of Hubert de Givenchy. It's no wonder that today, Audrey Hepburn's most noted attribute is her style. ![]() She was a diminutive powerhouse who repeatedly struggled against patriarchy. Such comparisons have obscured the fact that Audrey Hepburn had her own powerful relationship with feminism. When Audrey's father added "Hepburn" to the family's surname, he unknowingly kicked off eternal comparisons between his daughter and Katharine (who was unrelated).
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